POETRY

Poetry and photography by Lorna Samraj


THE TRUTH IS

I never felt worthy

I looked at your somber baby faces

Into your clear intense eyes

Full of knowing

Looking back at me

Holding my gaze

And I knew you needed more

You deserved more

Much more than me


Now grown up into gods 

Your hearts hold pure

Your vision unclouded

In spite of me

And my meager offerings 

You now know this truth too

That we are better than our parents

And unworthy of our children 

Life is thus


THE ANATOMY OF A MEMORY

Today I dig out a memory from my repository

Dad, bragging about confections he made 

at the college bakery when he was a student

Dark fudges and marshmallows melting on the tongue

 

At home we ne’er so much as saw him stir a pot

He was the big shot always running to meetings

Always traveling far from home on business 

Giving orders, running the show

 

The time he offered to give mom a break

We crowded into the kitchen with him

Wondering if he could deliver

on the reputation he had constructed with words

 

Slice that onion, wash those tomatoes

Where’s the salt shaker?

We ran circles around him while he directed

this grand production we wanted to be a part of

 

But then he burned the curry

The cauliflower, singed and dark on our plates

We gave each other sidelong glances 

concealing our surprise and pleasure at this failure 

 

It morphed into a standard family joke 

And brought up over the years around the table 

Oh yeah, remember that time

That time dad burned the cauliflower?


How often we’ve measured a person by a memory

Hastily assigned an experience meaning

Failed to see something while actually living it

We might not get to change the facts

But separated by distance and perception 

we get to reshape the story we tell


I hold up the memory and dust if off 

It is not so funny as it is bittersweet, and touching

The burned cauliflower doesn’t define dad

It makes him human


When I shared this with my siblings, my older brothers had earlier memories of dad being in the kitchen but always making something special like fudge and salt beef or paneer curry, not plain rice and dal. My sister remembered that dad learned to make upma from Dr Fowler with carrots and peas. John mused how he always needed helpers in the kitchen. Dad liked to make fruit cake at Christmas time, and baked excellent bread in his retirement years. 


typing . . .


Can you write me a message

so I can watch the typing notification—

three dots in a bubble bouncing

as you compose?


The bubble stills, then disappears,

and I fear you’ve changed your mind,

abandoned the sentence you began,

unsure of its relevance.


Now the bubble reappears

and hope awakens.

I imagine you are saying

what I need to hear.


Knowing I’m on your mind is enough—

like the smell of bread baking,

warm, yeasty comfort

when I’m hungry;

like the notes of a song falling

into soulful chords,

soothing a yearning.


You need never send it.


HIS SMILE

In memory of Leslie Kurian (1963-2026)


When he smiled 

Some might say a thousand suns 

Rose in his eyes

And they would be right

For he walked in an aura of light


When he smiled

Some might say birds drew near

To warble softly

And they would be right

For he heard their tunes though no one else might


When he smiled 

Some might say the band started up and the beat 

Was in the air

And they would be right

For hips swayed and feet danced into the night 


When he smiled

The smile was in his eyes

And in his heart

And somehow you knew

That in that fleeting moment

He truly saw you


THERE GO I

We called her Bob Cut—

The kid from the slums across the tracks

Though her hair hung long and black

Braided and knotted

With a ribbon once bright

Now little more than a rag

 

She’d slip into the hostel

Under the barbed wire and through

The back door near the incinerator

Where rubbish smoldered

To do odd jobs

For a few coins


She called us Aunty

Stiff in our matching uniforms

Polished shoes and pressed pleats

Behind high brick walls

Though she was still a girl

Like us

 

We gave her clothes to wash

And our dirty dishes

With food crusty and stale

Forgotten leftovers

One time furry and runny

Crawling with maggots 


She scrubbed in silence

Carrying away the stench of our excess

While we watched with clean hands

Our minds already elsewhere

On first crushes

And geography lessons


ENOUGH

Do one. Do all.

One hike and I'm a hiker.

One quilt; I'm a quilter.

For to taste is to know.

Anything else is indulgence.


TWO MINUTES OF SILENCE

It begins without a word

House lights dim

Summoning quiet as they fade

A few stifled coughs ring out

Followed by an epidemic of throat clearing

A final shuffling of feet before they are stilled


In the half light

The walls close in

With soft ticking sounds 

I shut my eyes, fold my hands

And with a gentle whoosh

Fall slowly into the deepening silence


With heightened awareness 

I sense the warmth of the sleeve beside me

The rows of bodies silhouetted in seats

Inextricably entangled 

In our sameness

In our strangeness 


We hold our breath

Then let it out slowly

Disconnecting from the 

Distraction of daily life

Immersing into a space

That holds us, knows us


What is it about silence

That recedes and expands

Gives us insights that noise conceals

Reveals

Heals

Opens up something in ourselves 


Time passes in a far away drone

A scrape, a rustle
knuckles cracking

A shifting of weight in chairs


Then the house lights brighten

Faces return

Silence thins, then slips away


WE DID THIS ALREADY July 2026]

Weeks in advance I prepared my wee boy 

for his first day of school.

This kid who rode his BMX all day in the dirt yard,

and had to be called in to eat.

So intent was he on the day’s adventures,

he never knew hunger.

 

Who looked at me with solemn questioning eyes

as big as the bulge of marbles in his pockets,

and as bright as the morning sky.

Whose ardor for stories made him impatient 

with his sister’s interruptions

as we snuggled together with a book.

 

I sang the praises of learning,

spoke of playmates galore,

and a playground outfitted with the best.

But visions of him at a little desk

with feet too restless to be still

burned my eyes and squeezed my heart.

 

On that fateful morning

the air was cool from the night’s rain.

The koel’s call rippled with a quiver

as tremulous as my boy’s anticipation

while I smiled brightly for his sake 

with resignation and hope.

 

Would a new school bag, 

sharpened colored pencils

and fragrant erasers in fruit shapes

compensate for the long hours 

of sitting quietly and listening,

for the slow harnessing of freedom?

 

He came home triumphant and full of stories,

but the next morning

when I gently touched his shoulder 

he rubbed his eyes, and asked, “Again?"

Someone had forgotten to tell him

school wasn’t a one day field trip.



INTERIM NORMALIZED
Large hands squared your shoulders
Faced you into the morning
And fired the starting gun
 
You took off running
And never turned back
Until one day the scene 
Turned darkly incongruous
 
People you knew
Had faces sculpted 
Into rigid stances
Walls fell away from 
Places of safe harbor
Your mind played tricks
 
In slo mo you came to a halt
Froze in your tracks
Limbs askew 
Suspended
 
Left hanging
In a vacuum
With safety nets
Ripped from their moorings
 
You learned to unlearn
Turned settings to default
And waited

THE STORY LOOPS BACK
So often now it seems like 
a mix-and-match quiz
People trade places 
In her rambling stories 
While my mind spins questions
Wasn’t it my oldest niece 
Who bit off the head of the pet fish
And not my youngest?
And wasn’t it her baby sister 
Who drank the Kerosene, not I?

More and more often 
She’s a firsthand witness to a story 
She read in the news decades ago.
Yes, she was in the courtroom when
The state’s witness pointed at the murderer
And said, This is the man. Or
Horrified she stood on the river bank
Watching a mother throw her infant
Into the churning currents 
A sacrificial offering

Far too often she credits herself 
As the source of a good story 
Weather from a friend, or a neighbor next door
She heard it first – with her own ears
My own account of the woman who got bit
By a black widow hiding in her shoe
She has now claimed as her own
And narrates it back to me
With added embellishments
To my near exasperation 

Every so often she bends time
Collapsing years into
A handful of yesterdays
She tells of astonishing the doctors
When she survived her many ills
Boasts of her 300 daily skips
And laughs as she recalls racing my father
Three laps to his one
Feats she truly accomplished
Only not last week

Morning and evening blur
Past and present intertwine
Is this the threshold we approach
Before merging with the infinite?
That what might be taken for frailty of mind
Is something more profound?
A reminder that time is not rigid
But fluid in its shifting overlaps
That all human experience is shared
Threads intricately woven together

In a twist of perception 
I glimpse in my mother
Wisdom not confusion
Wholeness rather than fragments
A voice echoing eternity 
Because of her I am invited to linger
To let go of the clock 
And rest fully in the story

THE DREGS OF CREATION [July 2025]

I smooth out the folds with my palm

And breathe in the freshness of cotton fields

Trapped in the warp and weft of the weave

Tentatively I take scissors to cloth

Whispering the sewers’ mantra 

Measure twice cut once 

 

But no matter the sacred mantra

The perfect tension of the needle

Or my ability to harness the scatter of color

Into the shapes imprinted on my mind

Creation carries within it a shadow 

A reckoning for the hands that make it

 

See the floor strewn with scraps

Discarded and superfluous remnants

That never made the final pattern

A tangled prism of discarded threads

Lying in the waste basket 

The collateral cost of making

 

I sweep the floor and remember 

The castoffs and the forgotten

The ones that didn’t fit the mold

Perhaps they are the more honest parts

The truer more complete story 

Hidden away in boxes


MORE PERHAPS
In the dark I squint at the clock face
Through grainy eyes I sense a blurry 3:02
The new day tugs 
But it’s still too early
I close my eyes wistfully imagine 
My sleepy eyes have deceived me
Maybe it’s 4:02 
An acceptable time to rise
turn on my lamp
Open my device 
Check messages

Instead I remember dad
Holding my hand in his 
Inspecting my fingernails 
Exclaiming how long and shapely they are
Mom calling from across the room
Busy with some chore
Claiming I inherited them from her
I look down at my hands firm in their youthful radiance
Lacking the arthritic gnarl and thickening of age
Is dad thinking the same thing
No one replies to her remark

I recall the newness of being with R
His casual acceptance of everything me
His kisses covering the least likable parts
My toes unwashed unmoisturized 
Even I shrank from them
Like I sometimes shrink away from uneasiness
Instead of going deeper
To uncover feelings pushed aside 
By repeated platitudes of 
Intentional positive living

Inside insomnia
A restless yearning nibbles
insistent In darkness 
The simple logic
If this is not enough 

There must be more

ONE DROUGHT AWAY [August 2024]

The crepe myrtle is an explosion 

Of deep red

Proliferous this second year

I’ve watered it regularly

Some might even say 

Religiously

 

As if my life depended on it or

Is it the other way around

What with temperatures 

Soaring higher and remaining longer

In the blistering zones 

Of the weather map

 

The time of extremes is upon us

They say and utter words like

Severe excessive unprecedented

Except these are not exaggerations

These are acts of god

Breaking all records

 

And playing upon humors

So some in foul malcontent moods

Slay maim and starve one another

And some wait out the season

In darkened rooms 

With iced drinks

 

Others stand strong

Against the surging tide

Their sheer determination 

Turns the wind turbine

Delays the permafrost 

From pooling

 

And I watch

A rabbit run across wet grass

 

Hold your sleeping body close

And breathe you in


The Shapes of Ninety-five [October 2024]

 

She clings to things assured

good bones, sugar,

her second son,

while other remembrances

slip through her fingers

to join the ever growing jumble 

of faces, places, and times

mingling interchangeably 

to form newer versions 

of well-worn family lore.

 

Ninety-five is very old,

is a mantra she repeats

as she struggles to wrap her head

around this reality,

though counting to one hundred

she mastered decades ago

by tens and fives.

In the good old days

‘twas as easy

as pie.

 

Sitting across from me 

toast and eggs between us,

she mistakes me for my sister,

and rests her forehead in her palm

her body slack

momentarily succumbing

to this latest realization

this feeling of betrayal

of herself

by herself.


Are her repeated utterances

hints of unfinished work

of unresolved trauma;

a ten-point summary

to unlock life’s secrets

rising slowly to the top

like cream

mutating into wisdom,

into her voice

emerging true?

 

Always she is full of bravado 

of optimistic still-can-do’s.

Her former independence

and industry 

she dons like body armor,

but when I hold her in my arms

I remember 

The baby bird

I found under a bush

As light as a ray of sunshine



VIRGA: DRY RAIN [JUNE 2024]

 

1.

Clouds roll in 

Crowding the sky

Usually clear

And blue

Blue

You could fall into

 

2.

Clouds darken

Hang low and

Swollen

Hopes rise with the heat

Of the desert

In shimmering columns

 

3.

Shower shafts form

Reach for the earth

Descend

On Downdrafts

Backlit

In a summer’s gloaming

 

4.

Below

Open mouths

Dry

Eagerly lift upwards

Expectantly

As sunflowers to the sun

 

5.

A searing breeze

Distracts

Rain streaks waver

Deviate from their purpose

Morph

Into fine mist

 

6.

Into wispy tendrils

Delicate

Ephemeral

Trailing underbellies

Swaying

Like seaweed in water

 

7.

The moisture evaporates

Never reaches the ground

Though five drops

Hit the sizzling pavement

Last Thursday

We bought lottery tickets

 

8.

I who am

Born of cloudburst

Feel its language

None of this strange coyness

This circling around the bush

Making up one’s mind

 

9.

I know rain

That speaks directly

Loudly

With the harsh sounds

Of its mother tongue

Stones jiggling in a tin

 

10.

Spoken in a torrent

Never shutting up

For days

It crashes and flashes

Rumbles and tumbles

Never letting us forget

 

11.

Musty laundry

Broken umbrella spokes

Green mangoes

Wrenched too soon

From heavy boughs

Cats and dogs


12.

Monsoon

When I first heard the word

Spoken about New Mexico

I laughed

Almost out loud

Like virga


BLESSED AND BURDENED

I walk along a shore

Sometimes it is one single shore

Achieved through mindfulness 

That singular focus

Allowing one to assign

Spray and sand

To a location 

Fixed in time

 

Mostly it is many shores

The gravelly strand of Calangute

With its piles of sun-bleached shells

Its rough waves gouging holes

Under my heels

The burning dunes of Madras

That endless walk to the Bay of Bengal

In the middle of a summer day 

 

I see the lighthouse flash

In a moonless Goan sky

Its beams reaching out to outline

The dark dank wood of fishing boats

I hear the soft snore

Of lapping waves

Carrying through the night

And I am ten again 

 

Surf hurls at me

Its lather crashing

On volcanic wreckage

And my bones remember

The novelty of black sand

Against lush foliage

Hand lettered rip tide warnings

On Koki beach

 

In sleepy turquoise waters

Fish hover near my feet

Sea glass glint in the shallows

I dip my baby’s toes in Quilon

And snuggle against a retaining wall 

In windy Galveston

Pieces of paradise

Snatches of story

 

I walk along a shore

Sometimes it is one single shore

Like today

The sky is blue 

The sand is cool

The gulls are loud

I notice everything 

Remember nothing


MY SUPERLATIVE SWEETHEART 

When I scale the mountain peak
There you are, for
You are the surest step
The purest air
The exhilarating high
Of breathtaking views
 
When I probe the deep
I find you there, for
You are the bluest hue
The steadfast anchor
The calmest water
In turbulent times
 
You’re my dream come true
You’re every Irish blessing
My pot of rainbow gold
My lucky fortune cookie
 
When at end I read my story
You’ll be on every page, for
You are the rising action
The headiest climax
The truest arc revealing
The loveliest resolution


DESPERATION’S MOMENT

I’m crawling up a wall
Numbers don’t add up
The blowing wind holds no answer
The air is spiked
Bubbles burst before they rise
My bags are packed but I can’t let go
She drifts away
My outstretched arm falls short
A fetal primal howl
Threatens to surface 
Undermining underpinnings 
Besmirched 
I beseech grace


HALF-HEARTED PARIS

I lean in to the

Strains of a lilting melody 

But his notes are carried away

Muffled in the snuffle

Of the wind

 

His lights reputed to shine

And razzle dazzle

Leave me only half moved as they

Fizzle in the drizzle 

Of the rain

 

I linger after dark

In columned alleyways

Amidst amorous shadows 

Chancing a dance

On a whim

 

Under cold ornate arches

A turbulent Seine flows

Drifters in thin polyethylene tents

Hover under cover

On its banks 

 

Discombobulated I grasp

He hides

He pulls away

A marionette;s pirouette

On coy strings


THE DIVIDE THAT ISN'T
“They’ll kill you.”
The nice man warns
or prophecies
through his rolled down window
as I cross the street to hand
a bottle of water
to another someone
lying near a tent on the sidewalk
listless in an unwashed garment
on this sweltering afternoon.
 
Another someone who is
someone’s mother
someone’s father
someone’s son
someone’s daughter
down on their luck.
Someone who might have been
someone once
but is now invisible to those
like the nice man.
 
I am rattled.
My faint heart picks up velocity
and for a minute I waffle
want to abort my mission
without informing headquarters,
scold myself for my naivety,
for leaving the car unlocked,
for the pepper spray
still in its packing
at home.
 
Then the someone
softly intones
 “God bless you.”
Adding almost apologetically
“Can I have one for my friend?
Someone stole his tarp today.”
The moment expands as
we smile at each other
bridging the gap,
sharing in the days’ elixir.

BACK IN THE DAY

[In memory of Sonny 1953-2021]

He strummed and hummed
In flared jeans all threadbare
And wild flowers he picked 
I wore lightly in my hair
Footloose and carefree we were
Going to Scarborough fair

The world was ours
We didn’t need much
A promise in his eyes
Forever in his touch
Parsley, sage, rosemary
And such

Why dreams go astray 
I can’t divine
But be good to him in that place
Where the sun doth shine
For in another life he once was
A true love of mine


FUNERALS DURING COVID
Last week I watched five funerals
Five caskets lowered
Into the rocky ground 
The koels called raucously
To each other
Irreverent in their oblivion
To the heartbreak unfolding
Beneath the fragrant temple trees
The finality of dirt clods
Tumbling onto petals

The same cemetery under skies
That hung a rainbow when we
Buried my grandmother next to
Friends and friends of friends
Next to parents and grandparents
Who rest under gravestones
On which we sat on moonless nights
Spinning ghost stories
Or used as stepping stones
A lifetime ago

AT ONE
“I love you,” says my son wrapping 
His three-year-old arms
Around my legs as I slice tomatoes
My heart breaks at his innocence
I think how lucky some woman
Will be one day

Bunched in her tiny hands
And eyes glowing with love
My daughter brings me 
Wildflowers everyday 
Sometimes three times a day
It never grows old

“Close your eyes and listen,” I instruct
As we lie quietly in the grass
I want them to waft away 
On the call of a bird 
Melt into the drone of a distant plane
Be in tune with their surroundings

Sensing a shift in the air today
My son messages, “I’m free to chat.”
Ever responsive, his intuition sharp
On her way to work and on her way back 
My daughter calls me testing the breeze
Tending our habitat

VESTIGES
It is another stone hewn structure
not unlike the myriads of them
dotting the landscape of this land
that catch your fleeting eye
as you look out whatever window
of train or bus or putput

In the country they are surrounded 
by flooded rice fields and goats
intent on the ground below their noses
their goatherd splayed out on a warm 
whatever granite slab that is
of tomb or granary or fallen arch

In the old cities they line darkened backstreets
where smoky cooking stoves light faces
of families huddling against the night
their thin canopies hung from
crumbling walls – ghostly witnesses to 
the zealous ravages of yester yore

Testaments to monarchs who ruled in fortress
and lie in cold mausoleum
too many ruins to covet the eye 
of excavating archaeologist
lost grandeur of whatever monument
of sculpted cave or citadel or temple
now so much debris


OPPOSITES
Opposites often seem incompatible 
Like today
When I walk by border fences
Of iron and steel and gleaming barbs
A warning to those who don’t belong 
To someone’s idea of
A country club of sorts

When I see how black and white 
Rule the day and 
Whichever way you look
Diversities are being funneled indifferently
Into narrower constrictions
With no room except to emerge
But as two—us and them

Yet when I recall the grade school lesson
How positives and negatives
Overcome repulsion 
To lock fast in deepening tension
It must follow 
That we will discover harmony 
In our coming together 

WINTER SOLSTICE
Emerging from the long night
I crick my tired neck
And arch my shoulders
That held tense against the chill
My thoughts already turning
To that warm steaming cup
I hope will ease
The lingering cold in my bones
Though the shadows still stretch long
Against the narrow doorway

But looking towards the sun
That creeps over Stonehenge
Like old molasses refusing to flow
Like a movie stuck in slo-mo
I try not to step too quickly into the day
Eager to rid myself of the night’s gloom
Instead I hold close the knowing 
That without darkness light loses its allure
That descent into murkiness brings truth
And stars shine brightest in a black sky













HOARDING
In times of plenty
he buys without compunction
as if we were Mormons
overflowing pantry shelves
that would make one
suspect he was
born in dearth
rather than with a
silver spoon

Amidst Covid fears
I stretch the life of
the simplest commodity
apportioning
rationing
as if our lives
were dependent on
two squares of toilet paper
rather than three

Now when it’s more
prudent to save than to abandon
to hoard than to discard
when less is more
and more is better
as with oximeters
and lovers
when two are better
than one
________________



SOCIAL DISTANCING
Now quarantined together
we must remain separate
kowtowing we withdraw
stepping backward
from each other in obeisance 
to the respiratory droplet

Yet our need for each other

is caught in a glance knowing
there will be more sickness
and fewer jokes
that while libraries and schools close
Pandora’s box is wide open

This battle we must fight

by withdrawing from the world
and hunkering down with neighbors
taking on the words once again
from a forgotten era
selfless, humane, the Other

And emerging in six weeks

what will we find
________________

MINIMALISM
A little of something horrible is all I can bear
A little of something wonderful is all I need

________________



THE TAPESTRY OF ANCESTRY
For my mother’s 90th birthday

I blow into the thindong and embers 
Come to life glowing red the lid trembling
On the rice pot spilling and sizzling
Snugly sounds and smells
Mum and MeiMei murmuring
Catching up, remembering, rendering 
Bits of learned family lore 

I step in the footsteps of my mother 

As she did in the steps of her forebears
Tracks tracing back five hundred years
To our first clan mother Mohkynhong 
Afraid and alone but for a kind man
Mother of mothers carrying her wealth
In a cane, but also carrying within her
The ones to come and they came
In various hues and sizes
A girl cousin kidnapped in the market
An uncle drawn to graves on dark nights
Stories of courage tragedy and generosity
Of scandalous secrets whispered in hushed
Voices by busy aunts shucking corn 
On low lingknots around a hearth 
Tended assiduously

To many ancestors we feel no connection 

We may as well be adopted
And some of us are but the struggles
of our predecessors whether heroes or villains
Who Gave us a future and together 
Khasi or dkhar we are a family 
So here you are today daughter of Kwin
Descendant of Mei Mohkynhong
Not afraid and alone but comforted and 
Swathed in the heritage of our ancestry
For you hold within you 
Those who have gone before 
Those who are and those to come
________________











THE BLUE RECLINER
He is not in the blue recliner
tucked away in the corner
in front of the TV
Watching political pundits
pontificate and quarrel
or cheering as the home team
gives New Zealand a thrashing
in the ICC
Nor salivating at something
cooking on Food Network
goat cheese melting warmly in a
Mediterranean dish
his latest favorite cuisine
With a shallow impression
where his head lay
when he dozed with closed eyes
and partly open mouth
during many daytime naps
and at night when sleep eluded him
Now lonely and remote
as a vacant house
with boarded up windows
and overgrown grass
The warmth having fled
with him
________________












I AM
I am a melody at dusk
while the day softens
to baby pinks
and blue hues

I am the heartbeat
of the universe
the steady rhythm
of nothing and everything

I am the word
that is never spoken
the cry ascending higher and higher
that breaks the sky

I am the gentle sway
in your limbs
dancing with the moon
face aglow

I am the echo
of never ending beauty
the tip toe
to that blissful ache
________________












UNTESTED BY DEATH
pain I know
toothaches that set me
on ice and fire
that lead to root canals
and extractions
draining pain of child birth
debilitating strength
muscles quivering
giving way

love I've had and lost
known the heartbreak of rejection
the curse of betrayal
bottom low depression
the sorrow of being found
wanting
a sense of wholeness gone
and the surety that
one could never love again
laugh again

but death?
I recall the death of pets
a fish
a bird
we pretended at grief
the same way we pretended
at playing grownups
intoning the solemnity of pastors
in backyard funerals

when we lost
three hamsters the same morning
we had mostly discarded
play acting by then
plastic bags and the
rubbish bin
replacing last rites

I've attended scores
of funerals
witnessed the raw
expression of grief
primal uncontrolled beating of breast
clutching at hair and air
face and clothes
in shambles

Seen the widow
erect and alone
death can change a world
it takes but a moment
to awaken that realization
and the young fatherless
confused at the attention
when only yesterday
no one attended to him

at the hint of death
a quick mental roll call
confirms no one is missing
children, parents
brothers, sister,
lover
I confess guilt at this abundance
and hug you tighter
fearing the test may be nearer
________________












SAVIORS AND SINNERS
You took innocence
In exchange
you leave shame and confusion
with no expiration
no explanation

You brush your fingers
up my thigh
Place a sneaky hand
under my blouse
yellow with blue birds

I avert my eyes
to the sky
that now hangs heavy and dark
a cloak
obscuring all

I unprotect myself
protecting you
Not betraying you
I betray myself
Expansively expensively

Doubly burdened
Your sins I carry
To the public square
To the cross
#MeToo
________________













UNCHECKED
Don't ever point that at your brother again
she shrieks
Her words slice thin air
I freeze
The tykes continue laughing
dashing around the Rexine chairs
at the airport
The fear in her voice escaping them

They, knowing only swings and slides
and bright yellow butterflies
Unable to see
the violent images that flash in her eyes
because
plastic four-inch arrows
pointed at each other
had gone unchecked

Later ensconced in my favorite chair
I turn away
when the news anchor streams the video of the latest
police killing of an unarmed man in Charlotte
shots ring out
his blood darkly pooling on the street
caught on camera
now gone viral
________________












SUMMER DETAIL
I've picked the mulberries
washed, stemmed and boiled them
I've picked the apricots
washed, sliced and blanched them

Outside I've routed every dank corner
of snails of every size and color
suppressing the gag that arises
as I discard them in a paper bag

I've transplanted the last of the tomatoes
shielding them from the desert sun
and puzzle over the wilt and curl
on the leaves of the aubergine

But first, I must dispose of the vermin
that has bitten through the tender stems
of my prize bean shoots and shoo away
the ants on the sunning fruit leather

From the sofa with open Forbes
my sweetie asks
as I hurry past him fixated on the next task
What are you doing?

Someone has to keep this house together
I lament tersely.
He calls back with amenable wryness
Why?
________________



THIS FUNK
All day this funk hangs
dark and brooding
on my shoulders
like monsoon clouds
dense and waiting for release
I stumble around the house
in a stupor
performing vital chores
but only halfheartedly
my brain out of sync
with these sluggish movements
Perhaps it will be gone tomorrow
I am lucky that way
some days
when I lose myself in bursts
of bright action and
pursuits that pretend
to be meaningful
Believing my escape
from the enormous weight
of an ill-fated deed
to be certain
if only momentarily
But deep in my throat
where the yearning lies thick
is a knowing I cannot shake
no matter the posturing
________________



ON THE OCCASION OF A MILESTONE
for Vijay on his 60th birthday

Life began when first you stretched
your hand out and love accepted it
and the deep waters of your soul moved
in someone else's eyes
you gave your promise and never turned back

You cried the first time you touched
the tiny tender toes of your first born
and discovered the days now had so few
moments, and wondered how
being a dad could feel so right

Days and years blur together
cross country trips turn into
trans Atlantic flights with endless
layovers in strange ports as you work
to maintain long distance relationships

No one seemed to need you anymore
you clutch tighter until your aching heart
teaches you that letting go
is the best and only way to hold close
the ones you love

Like drops off water the moments collect
becoming the sum of who you are today –
three score – and going strong
engulfed by so much love
you never dreamed you deserved

Now freer, with license to slow down
to breathe deeply, and perhaps finally catch
that sense of illusive peacefulness
– they say will come
when you lose yourself to the present
____________




CONSTANCY AKA MY SISTER
She should have been named Constancy at birth
after all her mother did hail from the Khasi and Jaintia hills
a land where its people have a penchant for names
picked more for the sound of its lilt and and intrinsic meaning
And the way it rolled off the tongue mattered more
than whether their children carried labels of verbs or adjectives
and of commonplace everyday things
or how comical it might appear to the outsider when they chanced upon
Flywheel, Cornerstone, Jubilant, or a bonny Memorial
haggling for soh yung in the Nongthymai marketplace on any given day

Now you won't find Constancy in the Nongthymai bazaar
even though you traverse the narrow winding trails to every last stall
Nor will you find her in the surrounding hills or anywhere on the subcontinent
Better to look for her on Watford's high street in the Queen's own land
or if you are really lorni go directly to number seven on The Conifers
where she starts the day in a tranquil moment of prayer and carrot juice
then cheerily cares for the boys and girls in her homeroom
in the secondary school beyond the trees at Stanborough Park
who exhaust the hours with tiring questions yet fail to try her sorely

When you find her you will agree as with each and every one
of her family and friends and neighbors and stranger at the door
that she is constant in her patience, kindness and generosity
But her greatest constancy is found in her love towards me
which is as deep as the sea and as old as I am
a love that began with paper dolls and hopscotch in the dust
and endured through colored pencil sharpeners and baby heel shoes
And so today I wish to publicly acknowledge and honor her
with a name that rightfully belongs to her – Constancy
_______________




WINTER SOLSTICE: THE LONG NIGHT
2010 Full lunar eclipse on a full moon and Northern winter solstice: A first in 372 years

Shadows loom large with the fading light
Stealing into alleyways and slithering up walls
In the sky the moon veils her face and turns away
The long dark night is upon us

Shady eyed portenders gaze steadily into murky pools
While swamis writhe with foaming mouth and dusty feet
Uttering oracles of imminent doom and disaster
Of falling into unending unfathomable oblivion

Candles flicker the vigil begins
Pundits debate pestilence and financial collapse
Mothers coddle restless children close
And shepherds watch their sleeping flocks

Elsewhere murmuring shamans divine new birth
It is the cold night before the eternal dawn they say
A world of harmony and understanding unfolds
Of vats fat and heavy with abundance

Now the air carries the fragrant scent of celebration
As revelers break out in melodious shouts
Children dance in streams of coconut water
And farmers envision corn stalks towering into the sky

So, is it a harbinger of abiding light or desolate darkness
They cry out in frenzied uncertainty to the sage
Who sits daily at the edge of town on parched earth
And now raises her bowl for an unhurried sip
________________




AN ODE TO SANITARY PADS
The first time I menstruated was the day before my 13th birthday
when I lived away in boarding school and the girls rallied around
to rejoice that my fate would not be that of a barren woman
because I had a womb that worked and could conceive and have babies.
That I would have babies—possibly many of them—was certain
Hardly a choice given the time and place I lived.

They tucked me into bed and gave me the royal treatment
that we had come to expect when we ached with the flu, or had chicken pox
or some other childhood illness, for we were all still children then.
Though I, the youngest was the last to join the club of “women”
and they whispered in my ears that I was no longer a naive little girl
and must be on guard when boys were around and always keep my knees together.

I stayed in bed that first day and bemoaned the loss of my girlhood
that somehow seemed synonymous with innocence and freedom
while I sipped sweet lime juice brought from the cold room in the school kitchen
and ate my meals in bed with a double share of dessert—
flaky rolls filled with a yummy cream of dalda and sugar
and tried hard to forget the foreign thing between my thighs.

Sirona, the only brand of sanitary napkins we knew cost three rupees
a fortune when compared to my monthly pocket money of ten, but a necessity
considering the alternate hand-rolled wads of cotton in squares of guaze.
But the napkins were thick and rubbed raw the insides of our thighs
and were held in place by a flimsy elastic cord around the waist
which we later saved to hold up the white knee socks we wore to school.

The matronly saleswoman at the campus store knowing our awkwardness
wrapped the blue box in the back with brown paper and string
so we could discreetly carry it back to the dorm though
the brown paper was even more telling as nothing bought at the store
was ever bagged or wrapped. And so concealing it as best we could
we hurried back timing the trip so we didn’t bump into anyone we knew.

Anyone—mostly meaning boys we went to school with
who derived much pleasure from mortifying us into embarrassment
and though we never talked about it with them they let us know in subtle
and not so subtle ways that they were aware of such things.
We’d catch a glimpse of cut out Sirona labels in see-through shirt pockets
and play dumb to their double entendre of leaky fountain pens.

Twenty-five years later with two grown children
I am pampered by an assortment of feminine hygiene products
ultra thin to super overnight sizes, wings, no wings or flexi wings
in great economy packs or in individually wrapped pastel sachets
for night time and day time and every other conceivable time.
The freedom sans the innocence is back.
________________




INASMUCH
for mum on the occasion of her 80th birthday

Her brown eyes are earnest as she speaks softly.
Bright and moist as she tells of her love.
Fragile hands folded in her lap, she leans in closer.
Wanting to be believed, needing to share.

“He watches over me,” she is saying. “He knows my every need.”
“He understands. And oh, when I call, he's always here.”
Listing his best attributes, she speaks as if God were a real person.
An intimate friend who lives two doors away.

“My constant source of comfort when I'm in pain,” she continues.
And she's had more than her share of illnesses. It's a fact.
“There is no experience that can compare to this. I should know.”
“I've lived for 80 years.” She pauses, this is credence enough.

She doesn't want me to miss out. A mother myself, I feel her love.
“It could be yours too” she adds. “just for the asking, for the taking.”
I imagine calling a service bureau on the telephone
And signing up for a thirty day trial – at absolutely no charge.

“I could die in peace if it were His will. I have lived a long, good life.”
There is nothing more I wish to do. She squeezes my hand.
Looking into the distance, she ends wistfully, barely audible.
More to herself than to me, “I only wish to see His face.”

Still holding her hand, I close my eyes and pictures of her fill my mind.
I hear her singing at day's end, cheerful and smiling.
Chores done, the last drink given.
A kiss here, a hug there, the family tucked in safe for the night.

I see her again, busy caring, loving:
Feeding the hungry, clothing the unclothed, nursing the sick.
Strangers, but they are smiling at her, touching her.
And I long to tell her. “YOU HAVE SEEN HIS FACE.”
________________




MOMENTS ALONE
When you're gone is it wrong
To think how it would be
To spend my days without thee
The joyful prospect of owning
Not just the ten thousand eighty of this week
But every moment from future's deep
To fill each with my will
Whether with energetic industry
Or pleasurable drawn out lethargy
But with my name on seven twenty one
And the first day barely done
I know for sure
The bliss of thee close to me
Surpasses every pleasure known
Of dreams of being on my own
Like breathing the sweetness of life
After one contemplates
The delightful lies of suicide
________________




INTIMACY
Intimacy is a new experience for me
In an a priori way I sensed its beingness
But doubted it's fullness 
Had ever been encountered
Or stumbled upon by two people
It is the perfection of togetherness
That comes from giving of oneself
And a tender accepting of the other
Sans restrictions and limitations
Fear of losing my individuality
Of losing anything in the process
Is forgotten in the midst
Of myriad bounties gained
Amorous actions in concert
Give rise to blissful daily discoveries
That deepens every experience
While promises of more unfold
________________



WHOSE IS WHICH IS WHOSE
It is difficult to know
which is mine
or yours
when our limbs lie entwined.
Is it your smoothness I feel;
is it my ankle I itch?
And when you smile
is it a likeness of mine?
I feel your hunger.
I sense your fears.
They are mine
to assuage
as they are yours.
Together
you and I
will journey life's passage
one step at a time.
It matters not
your foot or mine. 
________________




ONENESS
In the darkness my body seeks yours
Palm to palm, arm to arm
Shins, shanks, heels, soles
Feet under cool sheets
Fingers touching, flowing over
Under, around, between
Night after night the quest continues
Searching, seeking, waiting to discover
The secret by which to enter your body
Gently waiting for the magical moment
When like our souls
Our bodies merge into one
________________




SALMON TRYSTS
In dreams I thrash about
dark green murkiness.
Weary of studying watery mazes
for a way to return
to recognizable and identifiable
everyday regions of the past.
A snatch of mama's song
floats around the bend.
My grown up infant son stares
solemn and unseeing.
Familiar doors open into vacant lots
and passageways coil in confusion.
A room dense with words
piled in stacks of barren replication.
Sagging hope peers through peep holes
and sensuous bodies tense.
Needy rituals of an earlier life
Wrenching whorls of comforting pain
________________




JANUARY THREE
Outside, on the court steps
Nothing has changed
The winter afternoon sun shines clear
Cars halt on red
No external signs mark the end
or the beginning
Looking in mine eye
Would one detect
The sadness of failed intention
Feel the tremulous echo
Of the heady free fall
In a vast landscapeless vacuum of light
And far away tonight
Speeding through prairie grasses
A distant train
Will scream again
At the Northern Lights
Dancing shameless blameless
________________




IF ONLY
Slash yourself in a hundred places
some gashes sew up with needle and
thread that doesn't match
others cover with band aids

Lie down naked in an alien land
where the sun burns in the light
and blisters your skin
where cold winds howl bitterly at night

Burn the memory books
of everyone who ever knew you
stare into their plump pumpkin faces
sagging with regret

Let buzzards haunt your dreams
their endless squawks peck at your eyes
stuff your head with thunderous clashes
that scream in shrieking sheets

Cry out for silence knowing
if all were quiet for a nano second
you could break the code
and all would make sense 
________________




AN OWEN SOUND MAN
I see you on the platform across the tracks
lying still as in sleep on a stiff dark gurney
busy paramedics surround you
somehow I know you are already gone
though I am too far away to touch you
My heart has something caught
and perhaps I will choke and suffocate
or merely cough to ease the tension building
from watching the hopelessness of it all
I'd like to sit down but there are no seats in sight
That you are gone is unsettling and revealing
my yearning for total self-reliance diluted
instead I recognize anew my need for you
like a blink that brings an angle back into focus
a blurred love that is clear again
________________




GRACE
I watched an old woman dance in the plaza today
straight wispy gray hair parted down the middle
long nose, skinny face, and dangly silver earrings
that glistened in the falling afternoon light
feet buckled in black schoolgirl shoes shuffled
to the beat of salsa and meringue of the Latin jazz band
while long skinny arms flapped at her sides
Her scrawny body -- a scarecrow or a witch
not an evil one that rode the sky on a broom
with a wicked cackling laugh that rattled the nights
but a sweet comic one with sparkling wise eyes
a quiet knowing smile and loosened limbs
inhibitions discarded along the years
who thought nothing of dancing
midst young lithe bodies 
________________




ON THE EVE OF ROSH HASHANA
To the music of tumbling waters
amidst rolling clouds of silver
God stretched forth his finger
and you breathed your first breath.
And I in honor and celebration of this day
and with thankfulness for you,
the crumbs of the past I carry to the water
in order that I may love thee anew, afresh
And God saw that it was good.
________________




TO A LONE CANADA GOOSE
Strangers in this arid desert land you and I
By the sands of the dry Rio Grande
Thousands of miles from where home used to be
And the verdant prairie fields a fading memory
Remember the cold brisk mornings of early spring
When the ice lay glassily on the lake
And you'd end up sliding on your butt when you landed
I laughed and wondered why you returned so early
We wander restless sensing it's almost spring again
You'll soon be winging the skies, loved ones by your side
Leaving me behind in this barren wilderness
Why won't you look me in the eye?
________________




TRACTOR TRAILERS
Driving the quiet stretches of the I-40
You are in my thoughts
How your little heart fretted
At missing the fleeting glimpse
Of tranquil elk or grazing moose
And you and your sister would grow rich
In the back seat
Claiming tractor trailers by the second
Bickering over who spotted them first
Today my eyes pick out
A herd of elk moving languidly up ahead
A lone male by the fence sad eyes on me
And tractor trailers galore pass me by
I catalog them by brightness of color
Reds, greens and bright new blue ones
I see them first I count them all
I spot them just for you.
________________




FERVENT DEVOTION
Like a zealous disciple
I lie down each night
my prostrate body aligned
in as direct a line as possible
to the coordinates of the place
where you are
the city of crosses
and cooing doves
and hope that on waking
you and I will unite
on waves of electrons that link
the ends of the earth 
________________




TALK LESS OF MONEY
Don't you fret.
What of money?
It makes us blubbering drooling fools
when it lies thick around our ankles,
and leaves us gasping,
grasping in vain
when it flows out from under us.
It is fickle and not to be trusted.
But I have the big blue sky and
the sunshine that warms the earth
beneath my feet,
and I have you. 
________________




TWILIGHT MORPHING
Who would guess
by watching you
intently focused
on a myriad of thoughts and ideas
that will change the shape of many lives
around the globe
that in the quiet silence
of the night
your energies are captured
by one place
one thought
and one person is changed forever 
________________



YOU DID THAT
You walked out the door that morning
Like it was another day of work
And you would be back in the evening
To clean and cook and tell Mrs. Jewkes'
Latest story about her health and dogs.

You closed the door behind you
And didn't catch your finger in the jamb
Or fall down the steps
Or trip over a rock on the way to the car
That waited with bags packed the night before.

Outside the front lawn swept clean
Of wind-blown November leaves.
Is crisp with the night's frost and fading fast
Like the weeping birch
In resignation of the long winter ahead.

He watched you go
Not caring how he would later answer
The questioning looks on students' faces
Nor sensing the sunshine that cradled him
Were the arms of the one who stayed behind.
________________


F

THE DAUGHTER CONNECTION
Collective shared seasons
Downy pussy willows
Kites flying o'er alfalfa
Lake Elizabeth solid and still
Shelves overflowing with laughter
Accumulated vats of love and hope
See us through lean days
Of languishing loss and confusion
Numerous makeovers
Ever evolving, defining ourselves anew
Mother, daughter, friends, women
Fuse together in a satisfying equilibrium
________________




SO THIS IS FIFTY
The years have a way of sneaking up on you
and today is as good as any to take inventory
of its toll, lest one day the mirror reveals
an unrecognizable stranger that is you.

I see graying hair and falling cheeks
breasts like sagging telephone lines left out
in the sun and rain, who've long forgotten
how it felt to be strung up taut.

Crows have left their feet in the corners of my eyes
and raked furrows across my forehead.
Now they're pecking at the pigment spots
scattered like grain on dry papery skin.

The changes on the inside are less imposing
and as mellow as a soft settling mist.
I look out on the world through thoughtful eyes
and detect a surge of compassion

I wake up this morn in a tent
beside my dearest companion and friend
my love who brings lighted candles, chocolate cake
and gifts wrapped in gold stars.
________________




PAIN LIVES HERE
Pain lives here
in the beauty between darkness and light
when the early morning sun
spreads itself warm on green fields
and turns night mists to liquid gold

It glints off glass in brilliant shafts
on 14th floor condos
and dances behind soft downy clouds
tinted with blush

It drips off the ends of leafy branches
vibrant and lush
and seeps silently into the earth below
moistening clover

It clings as freshly mown grass
to my anguish weary shoes
and lures me
to linger here each restless dawn
where I lie drenched on ashes of yesterday
strewn tender and raw 
________________




TAKE ME TO THE RIVER
In June the Rio Grande is flooded
Elephant Butte reservoirs are opened
and Las Crucens throng the banks at Picacho
for their annual river raft competition
One year we floated Babar

The sun shines warm and late
on idle afternoons at Percha dam
We munch on feta sandwiches
and spy on fish hiding in silvery shadows
safe for another day

When the river bed lies exposed
with tumbleweed wedged in arid mudflats
and sky and clouds are reflected in water pools
we gather tamarix reeds
for our vase in the hall

The bosque is hushed in winter
scraggly branches reach out to gray skies
bicycle paths lie hidden under moldy leaves
on Tingley Beach no children throw bread
to waiting snow geese
________________




LITTLE INDIGNITIES
From the way that little kid looked at me
You'd think I was a hundred years old
I was only trying to help
But when I bent down to pick up the ball
after it bounced into the road
the kid hurried over and picked it up before I could
Why'd he do that? What was he trying to prove?
I wasn't going to take the ball home
I would have thrown it back to him
Did he think I couldn't bend over?
Sure, I can bend. Look, I can almost reach my knees
Ouch ahhhhhhhhhhh
I think something cracked in my back
Yes, it's my back. My back's broken
I'm going to be stuck in this stoop forever
SOMEBODY HELP ME
The kid runs over again “Do you need a doctor?”
I don't need water. I need a doctor.
That's what I said sir. “Shall I get a doctor?”
How can you be a doctor?
You can't be a doctor. You're just a little kid.
“SHALL I GET YOU A DOCTOR?”
YES, but you don't need to yell at me
I'm not deaf. I'm hurt.
________________




NIGHT REVELATIONS
The moon and I are friends
Same as Reiner the midnight DJ
Who talks and talks
It's easy when there's no one in the room
And safe
No looks that say you're losing it
No rejoinder that makes you seem silly
So you shut up and be quiet
I see his insides
How the wheels and gears
And other spare parts of his life stack up
I feel his confidence
The sense he makes
From the confusion and contradictions
Of his world
Lacking Reiner's coolness
I scream and yell and whimper
In my solitary room
With my gutless innards
The woman in the moon smiles back
Sadly knowingly
________________




COULD'VE
for my parents on the occasion of their 50th wedding anniversary

So much could go wrong
Inside the margin of possibility
When first you pledged to journey together
You had no way to know
How strong the storms could blow
Nor how many nights would find you
Head in hand, pondering the road ahead
So many grow bitter from life's trials
And haughty from success
But you are sculpted by the wind and rain
Into gentle contours of grace
Into pillars of humble wisdom
And pausing at another bend we find
So much could go right.
________________




FIZZLED OUT
You surprised me on my thirteenth birthday
with a pair of blue leather slippers
The week before Ravi
stopped me in the hall to trace
the outline of my right foot
I hadn't a clue why

I had the mumps when I turned fifteen
At twilight a brown paper bag
was delivered to my bedside
stuffed with firecrackers
and just in time for Diwali
It was from you

Smiling self-consciously in the sky room
you brought it to me yourself
and waited while I tore off the wrapping
and tried on the blouse
salmon colored in soft cheese cloth
I was twenty-one

I wave away the empty-handed postman
and watch the sun set on my fiftieth
________________









SECONDS?
for the 50th wedding anniversary of Aunty Juanita and Uncle Justin

These have to last a week said ma
Unpacking bananas from the shopping bag
Not like there – poking her chin
at the Singhs's house across the way
Where they eat two or three at a time if they wish
A dozen bananas might vanish inside of five minutes
of returning from the market

Ma said nothing more but her eyes intimated
What inexcusable extravagance, such permissiveness
Surely her younger sister knew better

In our house excess was a sin
saved only for Christmas
The rest of the year we lived the virtues
of moderation of self-restraint
With five children to clothe and feed
Ma didn't have much choice I imagine
but to ration and limit and divide

When weary of exercising temperance
we slipped across the way to aunty's house

There we gaped at the abundance of food
Every pot had something bubbling
something stewing, something baking
We were dizzy with the aromas of aunty's
hospitality and uncle's warm infectious laughter
And we left dauntless with a new knowledge
for the disregard of thrift

Now when I eat two or three bananas, or indulge
in a moment of unproductive simple enjoyment
I smile and think -- just like the Singhs!
________________




ANOTHER YEAR OLDER: To childhood friendships
What is this thing we share so fiercely intense
How do we determine when it first did commence
Was it in glass marbles with cloudy swirls of color
Or jump rope rhymes and ditties we chanted by the hour
Little girls lost in play with one another

What unseen forces colluded to bind us close
Was it written in the stars or something that we chose
As we huddled against phantoms stirring with nighttime vapors
Was it head lice and bed bugs and icy cold showers
Or fending off surly bandicoots back to their burrows

What was the common tongue we spoke in silence
That rose from undefined fears and guileless innocence
Of muffled giggles during prayers on our knees
And love-sick looks to boys we wished to appease
A language of dreams escaped on a soft breeze

Was this some sort of cult or club that to belong to
We sacrificed dearly or accidentally fell into
United by ritual perfected to a science
To save ourselves, with elders we broke alliance
Was it a malady, some childhood defiance

Now with grandkids and knitting our day's task
Bewildered, turning from side to side we ask
How did we get here what went wrong
Didn't we take a vow to always keep young
Must time with indifference drag us along

Though reluctant to age, at each trying bend
Will we discover that with a devoted friend
Life can be a bird song, a yoga pose gently holding
We'll laugh at ourselves our foibles our shortcomings
Comfortable after so many years of knowing
________________




ONE OF US
In memory of Molly Simpson Langan

One of us . . .
our classmate, our roommate, our bunkmate
our neighbor, our friend
has fallen

Dropping the tasks at hand
we deemed important only a moment ago
but now seem we can put off forever
we band together

One of us . . .
with whom we shared childhood innocence
harmless school day mischief
tender puppy love

How can this be? is written on faces
our sense of immortality shaken
as we consider the truth of today
too close for comfort

Like birds coming in to roost
we hover and flutter
clucking reassurances to one another
while repeating the refrain. . . one of us
________________




HAPPY 90th, DAD
How we couldn't turn our eyes away
When you brought home the yellow fuzzy chicks
In a box with a light bulb to keep them warm
Hunched down frock pulled over my knees
I stared as they dipped their beaks
To draw up water and artfully hop around
Pecking knowingly at minuscule specks
Were they really only a day old?
At Christmastime you'd roll up your sleeves
And make fruitcake with mincemeat
dried in the sun on white muslin cloths
Stirred up batches of chocolate fudge
Cooled on counter tops and in our mouths
And other confections the likes of which
We had only seen in glossy magazines
Sabbath afternoons we tripped along mud paths
Between sugarcane and paddy fields
Sucking on grains to make our own gum
Licking gooey jaggery offerings from dusty villagers
Spotting lapwings and bee eaters on barbed wire
You introduced us to Dean Martin and Ray Conniff
And belted out Mario Lanza in your tenor voice
Together we sang Sound of Music and Fiddler on the Roof
And played endlessly perfecting our game
Through arguments and tears
For we were all sore losers
You were the best at rooster crowing
The only one to fly a brown paper bag
With a lighted candle, or turn a dry mango seed
Into a furry bunny rabbit
In church you squeezed our hands 
Cracked our knuckles
And bade us follow you to the altar
You dedicated and baptized us and our children
And continue to be our father and mentor

For these and other delightful and meaningful
experiences, I adore and love you.
________________









SIT STILL
Sit still 
outside in the wicker chair
with the white and blue calico
in the morning light
and pretend 
you are lost

The monotony 
of newspaper headlines
and daily inspections
of bloated legs propped
on a sunny stool
fade quickly

Now you find yourself
cocooned in a
riotous jungle
vines and creepers
crawlers and cheepers
flood your senses

See how 
the red and pink geraniums
bursting their pots
grow wickedly tall
their gargantuan flowers 
sweep the sky

And up in the litchi branches 
langurs loll 
in the languid afternoon
their loud wraaa wraaa calls
now hushed
coal eyes upon you

At left otters
sling mud and slosh in
yesterday's mali tank
regrettably you can't tarry
for already 
lunch is calling

And turning indoors
your hand on the screen door
you hear coming around 
the corner
a sound as big as
a house

Tomorrow perhaps
you will lose yourself
on the windy shores
of a distant sea
to watch gulls dive
and swoop
________________




AMARILLO
Amarillo dislikes my leaving town
Like a soon to be discarded lover
who has lost his appeal
his cries of “What about me?”
“You said you were with me”
fail to penetrate my heart
or stir any tender feelings
I drive away looking straight ahead
settling into the long road
with thoughts of tomorrow

But Amarillo embracing denial
just doesn't get it
and follows behind
whimpering, fretting
refusing to be shaken off
Twenty miles away and already
on the outskirts of Vega
he lingers in my rear view mirror
alabaster arms waving
weakly in the fading dusk
________________



THE LAND OF ENCHANTMENT
The sun has shifted
casting a bright spot against
the back wall and on a pile of papers
stacked carelessly on a shelf
covered with a fine layer of dust
now uncomfortably exposed

Outside doves coo
last year's leaves rouse
and rustle along the curbside
Baxter gazes restlessly
in the window across the way
even though he has just been walked

The morning's rain lingers
in the air and
in the trembling drop
that glistens on the end of a twig
I lean over a melted puddle
and trip into the blue sky
________________



TIDE ME OVER
I have nothing
to connect the long ago
with tomorrow.
The winds bring no scent
no muffled song
to hold me back
So laugh, yes laugh.
And tiptoe toward the morrow
merry steps
foot loose on the road ahead
________________

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